{"id":1778,"date":"2008-01-03T17:37:19","date_gmt":"2008-01-04T00:37:19","guid":{"rendered":"http:\/\/dabacon.org\/pontiff\/?p=1778"},"modified":"2008-01-03T17:37:19","modified_gmt":"2008-01-04T00:37:19","slug":"no-dice","status":"publish","type":"post","link":"https:\/\/dabacon.org\/pontiff\/2008\/01\/03\/no-dice\/","title":{"rendered":"No Dice?"},"content":{"rendered":"<p>From a New York Times <a href=\"https:\/\/myaccount.nytimes.com\/auth\/login?URI=www-nc.nytimes.com\/2008\/01\/03\/theater\/03natu.html&amp;REFUSE_COOKIE_ERROR=SHOW_ERROR\">article<\/a> describing the Nature Theater of Oklahoma&#8217;s production of &#8220;No Dice:&#8221;<\/p>\n<blockquote><p> &#8220;Poetics,&#8221; for example, was choreographed using dice. Each face on the die represented one of six possible gestures, and each appendage &#8212; two arms, two legs and the head &#8212; got its own roll of the dice. Dice determined where the actors stand and for how long. There are four actors in &#8220;Poetics,&#8221; but, alas, no such thing as a four-sided die. So, to determine who did what, the directors used a dreidel.<\/p><\/blockquote>\n<p>No such thing as a four sided dice?  Obviously no one among the choreographers has played Dungeons &amp; Dragons:<br \/>\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/Four-sided_dice\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From a New York Times article describing the Nature Theater of Oklahoma&#8217;s production of &#8220;No Dice:&#8221; &#8220;Poetics,&#8221; for example, was choreographed using dice. Each face on the die represented one of six possible gestures, and each appendage &#8212; two arms, two legs and the head &#8212; got its own roll of the dice. Dice determined &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/dabacon.org\/pontiff\/2008\/01\/03\/no-dice\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;No Dice?&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,42],"tags":[],"class_list":["post-1778","post","type-post","status-publish","format-standard","hentry","category-art","category-mathematics-basterdizations"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/dabacon.org\/pontiff\/wp-json\/wp\/v2\/posts\/1778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dabacon.org\/pontiff\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dabacon.org\/pontiff\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dabacon.org\/pontiff\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dabacon.org\/pontiff\/wp-json\/wp\/v2\/comments?post=1778"}],"version-history":[{"count":0,"href":"https:\/\/dabacon.org\/pontiff\/wp-json\/wp\/v2\/posts\/1778\/revisions"}],"wp:attachment":[{"href":"https:\/\/dabacon.org\/pontiff\/wp-json\/wp\/v2\/media?parent=1778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dabacon.org\/pontiff\/wp-json\/wp\/v2\/categories?post=1778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dabacon.org\/pontiff\/wp-json\/wp\/v2\/tags?post=1778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}